Going undercover is as much a psychological challenge as it is a tactical one. Chris Berg and Paul James Smith draw on real-world experience to explore what undercover work actually demands, from maintaining cover and managing fear to navigating moral gray areas. This session helps writers understand how undercover operations really function and how to create characters and plots that feel credible under pressure.
When Crime Becomes Visual Storytelling
Dale Berry, Duane Swierczynski, Gary Phillips, and Gregg Hurwitz explore how crime storytelling changes when told through visual media. They discuss how imagery influences tone, structure, and emotional impact, and how visual storytelling reshapes the reader’s...
