Authors speak about their close ties to the historic attack on the World Trade Center, the aversion people have to reading about terrorism, and how to properly talk about the tragedy.
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A panel of current and former tactical and emergency officers dive into the reality of emergency response and investigative tactics.
Heywood Gould gives writing tips on chapter endings, originality, visual/narrative elements, and settling. He advises writers to write novels over screenplays if they are trying to adapt to film because novels are easier for executives to read.
Panelists with novels set in Chicago talk about "why Chicago?" Or put another way, why does place matter in crime fiction?