Writing Violence with Consequence

Violence on the page works best when it serves character and story. Christa Faust, Eric Beetner, Frank Bill, Jamie Freveletti, and Tom Schreck discuss what Hollywood often gets wrong about fighting and what writers need to get right. This session explores realism, consequence, and how well-written combat can expose vulnerability, intensify tension, and leave a lasting impact.

To access this content, please sign up as a member.

Check out these other resources:

Why We Love the Villain

Why We Love the Villain

Angela K. Durden, Charles Kowalski, Jim Nesbitt, Linda Sands, Max Allan Collins, and Reavis Z. Wortham explore what makes villains unforgettable. They discuss complexity, motivation, and the qualities that turn antagonists into some of the most memorable characters in...

What Agents Really Look for in Authors

What Agents Really Look for in Authors

Clare Toohey, Donna Bagdasarian, Josh Getzler, Paige Wheeler, Stacia Decker, and Vicky Bijur offer candid insight into the author agent relationship. They discuss submissions, representation, and the qualities that help writers stand out in a competitive field.