Writing Violence with Consequence

Violence on the page works best when it serves character and story. Christa Faust, Eric Beetner, Frank Bill, Jamie Freveletti, and Tom Schreck discuss what Hollywood often gets wrong about fighting and what writers need to get right. This session explores realism, consequence, and how well-written combat can expose vulnerability, intensify tension, and leave a lasting impact.

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Making the Past Suspenseful

Making the Past Suspenseful

Dana Chamblee Carpenter, Debra H. Goldstein, Maureen Stack Sappéy, Roberta Rogow, and Stacy Allen discuss how to combine suspense with historical detail. They explore how setting, research, and period constraints can heighten tension and drive fast paced, gripping...

How Description Pulls Readers Into a Story

How Description Pulls Readers Into a Story

Description does more than set a scene, it pulls readers into the story’s world. Chris Reardon, Karen McCullough, Mary Ann Taylor, and P.J. Parrish explore how descriptive choices establish time and place, shape mood, and guide reader expectations. Using examples from...