Heywood Gould and Phil discuss the realities of rewriting scripts, both their own and those of others. They explore how budget and production constraints shape rewrites, and how scripts are often trimmed or reshaped on set to meet logistical demands.
From Case File to Published Story
What does it really take to turn a real case into a publishable true crime story? In this session, a seasoned true crime writer breaks down how to choose compelling cases, conduct thorough and ethical research, and handle sensitive material with care. The focus is on...
