Finding the Story Only You Can Tell

Rebecca Walker explores the craft of memoir writing with a focus on voice, memory, and emotional truth. She discusses how to choose the moments that matter most, shape a cohesive narrative, and create stories that feel authentic, intimate, and lasting.

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Plotting by Cornerstones: The Four Foundations Every Story Needs

Character, Fiction, Setting, Writing

Every story rests on a few essential elements. Wendy Gee breaks down character, conflict, setting, and resolution as the cornerstones of effective storytelling. This session shows how to use these fundamentals to structure stories across genres, giving writers a...

What Police Work Really Looks Like in Crime Fiction

Forensics, Medium, Police

Brent W. Warberg, Chuck Ambrose, Ernest Lancaster, Jackie Moore, and Jan Walters draw on their careers in law enforcement to show how crime fiction really works. They discuss police culture, investigative procedure, and the small details that make fictional cases feel...

I Object: How Courtroom Procedure Creates Real Tension

Author, Courtroom, Fiction

Courtroom procedure can either heighten tension or drain it from a scene. Moderated by Carol L. Wright, Bill Hopkins, Debra H. Goldstein, Diane Sismour, Bruce Murphy, Marianne H. Donley, and Paula Gail Benson discuss how courtrooms actually operate and what writers...

Finding the Story Only You Can Tell

Plotting by Cornerstones: The Four Foundations Every Story Needs

What Police Work Really Looks Like in Crime Fiction

I Object: How Courtroom Procedure Creates Real Tension

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