Diana Gould, Melodie Johnson Howe, and Sheila York pull back the curtain on Hollywood as a setting for crime fiction. Drawing on insider experience, they explore how fame, illusion, ambition, and power create fertile ground for suspense, secrets, and high-stakes drama.
Writing Like a Pantser Without Losing Control
Writing without an outline can feel freeing and terrifying at the same time. Charles D’Amico, Jim Nesbitt, Mark Jones, Peter Rosch, R. Weir, and Robert Mangeot discuss the creative advantages and challenges of writing by instinct. This session explores how spontaneity...




