Choosing the Right Point of View in Mystery Fiction

Presented by: Bill Crider | Debra H Goldstein | Julianne Holmes | M.L. Rowland | Patricia Coleman

Categories: Audience | Narrative | Perspective

Point of view can shape every aspect of a mystery. In this session, authors explore first person, third person, and omniscient perspectives, discussing how each choice affects suspense, reader connection, and the way information is revealed throughout the story.

To access this content, please sign up as a member.

Check out these other resources:

Writing Women’s Literature: Stories Women Need to Tell

Characters, Q&A, Women

What stories are women telling, and why do they resonate so deeply with readers? Kathleen Cosgrove, Christine Mager Wevik, Elena Hartwell, Kelly Oliver, Lea O’Harra, Rea Frey, Shirley B. Garrett, Tikiri Herath, and Dr. Psy.D discuss what defines women’s literature,...

Writing Mystery in the Wide Open West

Craft, Genre, Mystery, Westerns, Writing

The American West offers rich history, wide open landscapes, and social tension ripe for mystery. Learn how writers research place and period, build believable worlds, and create strong female protagonists within the limits of historical reality.

Inside Vice: Crime, Temptation, and Moral Gray Zones

Crime, Law Enforcement, Vice

Vice work lives in a space where danger, temptation, and moral ambiguity collide. Mark Rein, a retired detective sergeant from Alaska, shares firsthand stories from his career working vice cases. This session gives writers a candid look at how vice units operate and...

Choosing the Right Point of View in Mystery Fiction

Writing Women’s Literature: Stories Women Need to Tell

Writing Mystery in the Wide Open West

Inside Vice: Crime, Temptation, and Moral Gray Zones

Explore

Learn

Ready to join?