The panel discusses strategies for writing suspenseful novels, focusing on overcoming the “shaggy middle” and maintaining reader engagement.
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April Kelly talks about screenwriting as a whole. She gives advice about scene length and subplots.
The book to film process has changed and authors need to be just as marketable as their books. Peter Miller goes over things that film agents look at when considering a book. Well-known and global authors have more say in film rights than new authors.
Carmen Amato leads a panel discussion on writing female crime solvers, exploring the motivations behind centering women in these roles. The conversation delves into how these female characters are developed and brought to life in crime fiction.